American Psycho review: Cold, hard, sharp musical perfect for era of looksmaxxing misogynists - 4/5 Patrick Bateman arrives ...

In a bloody, brilliant, full circle Rupert Goold bows out as artistic director of the Almeida with a timely revival of the musical he first staged here in 2013 ...

Arty Froushan’s Patrick Bateman sashays out on to the glossy black floor of the Almeida stage, a legend in his own living ...

Rupert Goold ends his laudable 13-year tenure at the Almeida the same way he began it – with Roberto Aguirre-Sacasa’s musical ...

The new edition of the Bret Easton Elli cult classic features art by David Hughes and the original introduction by 'Trainspotting' author Irvine Welsh ...

Make no mistake, the writing is dated and it’s far from being a masterpiece, but the production does something that’s so specifically disturbing that it’s difficult to ignore. Bateman’s raison d’être ...

And return it now has: Rupert Goold’s last directorial offering before he leaves the venue he has run with eye-watering success. It feels apt to end with the very show he started with, macabre ...

Not too long ago Christian Bale thanked DiCaprio for rejecting certain film roles. Bale joked that his career received a bit of a boost as a result. “Look, to this day, any role that anybody gets, ...

A secretary (Janet Leigh) who meets her grisly fate behind a semi-opaque shower curtain, a seemingly gentle motel proprietor (Anthony Perkins) whose relationship with his mother is conflicted at best: ...